Welcome to American Literature after 1865: the American Hero
America was nearly shattered by years of Civil War, and it emerged looking for heroes to strengthen a quaking nation. This course looks at the way that heroes are used to create national narratives after 1865.
pity this busy monster, manunkind,
not. Progress is a comfortable disease:
your victim (death and life safely beyond)
plays with the bigness of his littleness
--- electrons deify one razorblade
into a mountainrange; lenses extend
unwish through curving wherewhen till unwish
returns on its unself.
A world of made
is not a world of born --- pity poor flesh
and trees, poor stars and stones, but never this
fine specimen of hypermagical
ultraomnipotence. We doctors know
a hopeless case if --- listen: there's a hell
of a good universe next door; let's go
E. E. Cummings
How does e.e.cummings define the hero's quest in this poem?
Walt Whitman (very deliberately) create heroes for a broken nation through his poetry in Leaves of Grass.
Discussion Questions
How does Whitman valorize the common American man?
How does Whitman create heroes for America through his poetry?
What literary devices does he use?
Are there any unresolved tensions about the American hero in Whiman’s poetry?
Whitman and Propp
Group Work:
Consider Vladimir Propp's "Thirty-One Functions of the Hero's Quest" and relate it to one (or two) of Whitman's poems. How does Whitman's work conform to (or resist) Propp's description of the quest?
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